1950년대 전쟁기시의 내면의식 연구 -모윤숙의 『風浪』을 대상으로

A Study on the Inside Consciousness in the Poems appeared during the War of 1950s -centering around punrang by Mo, Yun-Suk

This treatise explains the resistance consciousness in the poems showed in wartime of 1950s, laying stress on Punrang by Mo, Yun-Suk. In Punrang, Mo wrote poems about literary and life, so it is natural for we to consider her as poet. Mo's Punrang has a suggestive significance with the following coherence. First, Punrang shaped wartime-life of 1950s, besides, it was presented a view about overcoming the wartime-life. Punrang consisted of 'Chapter of the Patroit', 'Chapter of the War', 'Chapter of the Lyric', tired to cope with the difficult living during the war with the power of love and salvation through each poem. Second, Punrang a poem composed a series of poems. The subtitles of each chapter embody descriptive structure, also each chapter is closely connected with each other. Therefore Pun rang gives a concrete form to a poem in wartime of 1950s, for example An Yeon-Hee Upland, A Directive by Lee Young Soon, Songs of evil by Park Geo Young, An uneasy Saturday by Kim Jong Mun, The Hymn about the Southern Sea by Kim Young Ho. Third, this treatise doesn't purpose to examine closely art and aesthetic features but purposes In study on wartime-life and a prospect of wartime-life, for Mo is a thinker and religious man rather than a poet. So this writing has intention of examining Punrang as cultural sociological suggestion. Mo as "a fighting pacifist" revealed enough his true character in Punrang. She showed her will to examine fetters of history and shake off the fetters in Punrang. Above all things, her peaceful spirit to cast off the yoke by means of the power of love and salvation rather a bloody fighting has a suggestive significance from the viewpoint of understanding a poem during the War and suggesting another standpoint.