한국 현대시의 아이러니와 시적 내면의 심층화에 관한 연구

A Study on the Ironical Intensification in Poetic Inner Thoughts of Korean Contemporary Poetry

The poetry has the power to leverage its literary meaning of the reality with the imagination. The literary meaning of the poetry can be interpreted and understood in different ways so that it contains a variety of meanings, especially when the meaning is exaggerated intentionally. Under this assumption, I have tried to re-interpret and analyze in depth poetries further based on the methodology of the irony. The study has approached self-identity, under the assumption that it is likely to be same as the reason of the being, to understand the inner thoughts of the identity. This study has interpreted and evaluated the works based on the loss of self-identity, investigation of the unconsciousness, and recovery of self-identity as well as its opposition. In a chapter of how to understand the loss of the self-identity and investigation of the unconsciousness, I used two poets <A cat with blue fur> by Seok-woo, Hwang and <A picture in the eye of a crow - The 15th> by Sang, Lee. With <A cat with blue fur>, I analyzed the poet in a way of the exodus of the body and the conflict of the consensus. With <A picture in the eye of a crow - The 15th>, I analyzed the poet in a way of the aggressive dissolution between the reality and the dream and the aspect of how to deal with the destructive remedy. In a chapter of how to understand recovery of self-identity and its opposition, I used two poets - <A butterfly and a Square> by Gyu-dong, Kim and <Enormous Roots> by Soo-young, Kim. With <A butterfly and a Square>, I analyzed the poet to a butterfly who aspires to fly. With <Enormous Roots>, I interpreted it to the status of lightness that roots it with the love. In conclusion, I believe that this study has contributed to re-interpreting and re-valuating Korean contemporary poetry based on the methodology of the irony.