현대시의 모방적 패러디 소고

A Study on Parodies of Modern Poetry

Parody is the conversational work between an original text and a satirized text in which the present and the past are connected and harmonized. In this process, we are to reanalyze the past and succeed to contemporary things by developing it, and also need endless endeavor and experimental mind to achieve this. There are very similar things in Doo-seok Choi's "Frost flowers" and Jeong-hee Moon's "Frost flowers". For instance, both of the two works are using 'windows' as the subject matter, contradictory structure of 'frost flowers', and poetic figuration like 'leaning his forehead against a window.' Mr. Choi's work represents humanity and the will of the people, and makes people reflect themselves, while Mr. Moon's poem represents the process of introspection and existential sorrow of limited being by using delicate and lyric mood. Jeong-joo Seo's "My lover is sleeping" and Jee-weol Seo's "In the gold thread of a pillow cover" have the similar mood in common such as the subject matter, images, and poetic diction. The poet sings his loving and yearning heart after parting with his lover in "My lover is sleeping", and the writer is expressing that he wants to share the emotion of love with the woman he is loving in "In the gold thread of a pillow cover". Jee-weol Seo's "Mr. Butterfly! Let's go to a green mountain" using some phrases of an old Korean verse "Mr. Butterfly! Let's go to a green mountain" and Doo-jin Park's "An epitaph" is making conversationality and difference. The old Korean verse "Mr. Butterfly! Let's go to a green mountain" pursues being content amid poverty and taking pleasure in an honest way among nature far from the suffering of the world. On the other hand Jee-weol Seo's poem is showing longing for the northern part to which we can not go, trying to overcome the conflict by subliming the emotion through a butterfly. Seok Back's "A bonfire" and Do-hyeon Ahn's "A bonfire" are distinguished by their repetitive use of particles in formal structure. Mr. Back's poem expresses vitality and pain to conquer conditions of the age in mutual relations of concrete objects, whereas Mr. Ahn is speculatively enumerating the historical recognition of people by unifying the leaping image of concreteness and abstraction in his product.