This Thesis has a purpose to study what the aspect of writing Lee Sang's novels showed. I refered to the philosopy of G. Deleuze and F. W. Nietzsche, especially their viewpoint on the relationship between master and slave. At his first novel “12th December”(『십이월 십이일』), the aspect of writing were shown the form of grudge and revenge to foster father who was his uncle. On the other side, the grudge also directed against tuberculosis that make him to feel horror of death. But the writing of grudge couldn't solve the horror of death stemmed from tuberculosis. He was in a state of slave who has hostility. Lee Sang's next attempts was a writing of schizophrenia. Two bitterly opposed ego in his psychology were “non-infected I”(or “past I”) and “infected I”(or “present I”). This form of writing is compared to “lion” that Nietzsche called the second stage to superman. But the writing of schizophrenia also couldn't solve the horror of death. Last attempts was a writing of child. In this stage, he changed the confrontation between “non-infected I” and “infected I” into the confrontation between “loving-woman I” and “non-loving-me she”. This made a quite big difference in the overall mood of his novels. Wit, paradox and childish expression were mainly written in this period. Especially the writing of childish expression compared to “Child” that Nietzsche called the third stage to superman. But a desperate mood flowed in the inside of this form of writing. And so Lee Sang expressed it with “child/skeleton”(『동해』).
Ⅰ. 서론
Ⅱ. 원한과 복수의 글쓰기와 결핵
Ⅲ. 분열증의 글쓰기로의 전환
Ⅳ. 사랑놀이와 ‘아이/해골(孩/骸)’의 글쓰기
Ⅴ. 결론
참고문헌
Abstract
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