〈둥당애타령〉의 연행 양상과 문학적 특징

Performing Aspects and Literal Characteristics of Dungdangaetaryong

&nbsp;&nbsp;This paper investigated the performing aspects and literal characteristics of Dungdangaetaryong. Dungdangaetaryong is women&quot;s traditional folksong transmitted in the southwestern seashores and islands of Jeolla province. It is the game song that women sing playing and taking a rest after co-work. Women sing it beating the water bowl or bow which are the working tools, they are called ‘Mulbanggu’ and ‘Whalbanggu’. Women sing Dungdangaetaryong with the compound method of front-rear singing and a circular canon.<BR>&nbsp;&nbsp;Dungdangaetaryong has the various types of the leading and the refrain. According to the beat number of refrain, it can be divided to three types; the 1 beat type, 2 beats type and 6 beats type. The subject of Dungdangaetaryong are as follows; love and hatred about a lover, longing between a mom and daughter, nature and amusements, lamentation about the misfortune and life with a husband&quot;s family. They are expressed with the method of indirect figuration, so Dungdangaetaryong shows the sentiments of joy and pleasure.<BR>&nbsp;&nbsp;As the result of this study, we could know that Dungdangaetaryong gives the young women the power to bear and overcome their hardships. It shows the various and specific features in the form and substances. The ideal and the purpose of studying Dungdangaetaryong is to succeed it in the present life and arts. In order of that, we should investigate the performing aspects of Dungdangaetaryong precisely and search the methods for recreating them as the contemporary performing arts.