「온달설화」의 역사수용 의식과 재창조 양상

Historical Acceptance Consciousness and Recreation Aspects of the Ondal Narrative

&nbsp;&nbsp;The Ondal Narrative is described in section Ⅴ, Volume 45 of Samkuksaki, personal section of Pyeongyangbu of Sindongkukyeojiseungram, and Yeomeui section of Myeongsimbogam, and orally transmitted four pieces are recorded in Gubimunhakdaegye.<BR>&nbsp;&nbsp;This study is to review historical acceptance consciousness projected in epic structure of the Ondal Narrative and historical acceptance consciousness and recreation aspects of the Ondal and Princess Pyeonggang by Lee Hyo-sung which adapted Ondal Narrative. Based on the results, it aims at organization of what meaning historical consciousness has.<BR>&nbsp;&nbsp;For historical acceptance consciousness shown in The Ondal Narrative and Ondal and Princess Pyeonggang as a Korean folk fairy tale, backgrounds of this narrative are the upper area of Namhan River which was a battle place of Ondal in Goguryeo period. The back side of the legend reflects historical truth that pursues national self-esteem through heroic narrative of Ondal. The public strengthened national power through appearance of an inordinary hero, were engaged in collective unconsciousness that pursued prosperity of their life through several proofs of the region and respected him as a religious guardian.<BR>&nbsp;&nbsp;The Ondal and Princess Pyeonggang reproduced from Ondal Narrative shows heroic actions of Ondal and Princess Pyeonggang through historical background in reality, which reveals historical acceptance consciousness of the author who is to intensify moralism.<BR>&nbsp;&nbsp;Likewise, historical acceptance consciousness shown in Ondal Narrative describes the hope of the public who would reinforce national power to protect and expand the national territory through tragic life of the hero.