氣的 활용을 통한 춤의 신명적 체험에 관한 연구

A study on the divine experience of dance trough the practical use of Chi(Life Energy)

&nbsp;&nbsp;It is never easy to have a full understanding of dance. Though the problems of divinity, one of peculiar characteristics of our dance culture and of an approach to the usability of chi or life energy when this divine experience is embodied through dance are thought of as very significant issues, they are viewed as the fields in which many tasks still remain to be studied.<BR>&nbsp;&nbsp;If chi of life energy is the energy that harmonizes the human body and nature and makes the change and existence of life possible by leading its stream, dance can be said to be the specific expressive act that exhibits the existence of invisible energy, beauty and philosophy through action and gesture. Chi and dance breathe, move, halt, and pursue harmony together. Chi is the blood vessel of creation which instills the vital force for the beauty of the human body.<BR>&nbsp;&nbsp;This understanding of chi of life energy is made through the mind to explore the primary basis of our dance while enhancing its value through its traditional thought and philosophy.<BR>&nbsp;&nbsp;Such problems as correct succession to our dance and new creation based on it become the tasks to be solved in this era. The background of creation against which the conception and action of dance were originally done was the movement of the human being, a part of nature. It was the dance of nature that could represent the will to existence and bodily sensation of somesthesia and be assimilated into nature of itself without any language or other means for communication. The necessity to find out the basis for the creative thought and philosophy of the origin of our people is coming to a front. Having been handed down from generation to generation for 5000 years or so, &quot;pan&quot; arts specific to our dance divinely setting to flames, &quot;Huteunchum&quot; and &quot;Gutchum&quot; surviving and throbbing beyond time and space could prosper with the unlimited possibility of new creation in the future.<BR>&nbsp;&nbsp;In this thesis, an attempt was made to investigate the theme of &quot;A Study on the Divine Experience of Dance through the Practical Use of Chi or Life Energy&quot; with a focus on the contents of &quot;the mediating action of chi and chi translating into art&quot; and of &quot;the world of divinity and dance&quot;. But this study has some deficiency and limitation is several respects differently from its original intention. It is expected that systematic and scholarly achievement will be done by actively conducting a multifaceted study of this field.