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창작무용의 사상적 태동 고찰

STUDY OF THOUGHT-CONCEPT ON CREATIVE DANCE AS A NEW CONCEPT

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&nbsp;&nbsp;In the rapidly changing human being&quot;s culture and recognition, all the fields they pursue have adjoined times of change, development and stagnation from the creation. It is obvious fact that the ranges of expression and concept in art has changed and developed widely and narrowly.<BR>&nbsp;&nbsp;Accordingly, we should accept &quot;contemporary&quot;, conceptual reality, in all of our living environment and its situations.<BR>&nbsp;&nbsp;Creative art is an artistic world, entertaining thought and personality on the assumption of full understanding about technique and knowledge.<BR>&nbsp;&nbsp;The result of study on the background of thought in each area of creation based on the meaning that movement has purpose to communicate dancer&quot;s desire of self-expression and dancer&quot;s mental state is following.<BR>&nbsp;&nbsp;first, breaking through conventionalities, namely keeping balance and disharmony of a curve.<BR>&nbsp;&nbsp;second, attempting combination of movement and music to express movement itself through the connection of other areas of art third, mime-dance fourth, collapse and revival.<BR>&nbsp;&nbsp;Finally, expressive range in creative work should be extended as a concept of obtaining a perfect freedom in their originality than it is led by demand from other areas of art.

ABSTRACT<BR>Ⅰ. 서론<BR>Ⅱ. 연구방법 및 제한점<BR>Ⅲ. 연구결과 및 논의<BR>Ⅳ. 결론<BR>참고문헌<BR>

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