This thesis aims to understand the meaning of the "labor novels" in 1980"s, considering the historical situation at the time. The labor novels in 1980"s were created by intellectual writers. These writers created the labor novels through "self-negation" or "the betrayal of one"s own class", through the imagination of "crossing". This thesis will analyse the Jung Hwajin, Yoo Soonha, and Bang Hyunsuk"s labor novels. These are writers as well as laborers, the intellectual as well as writers.<BR> Jung Hwajin"s A Metallic Stain describes the class-troubles surrounding "a bonus for preparing kimchi for the winter" with a foundry for background. This literary work expresses volumes in sketching the every-day struggle originating in a small and medium enterprise. And it is characteristic that middle-aged Mr Chon appears on the stage as a main speaker, not a advanced laborer or a young laborer of new generation. This novel shows entirely the characteristics which the labor novels in 1980"s have. The labor novels in 1980"s shout the partisan spirit of "laborers", but, on the other hand, also the laborers became the focus of object on all sides. Only the struggle of laborers came to be embossed, leaving out the every-day lives of laborers.<BR> Yoo Soonha"s A Formation talks about a big struggle in 1987. This novel is characteristic that it presents its characters typically. While the existing labor novels establish laborers as speakers, this novel establishes Shin Jongtaek, a middle manager as the speaker. It narrates dramatically the confrontation between the capitalist and laborer in a closed space of a company. This narration strategy meets the case in showing the class-difference clearly as well as the real situation of the Korean labor world in 1980"s.<BR> Bang Hyunsuk"s The First Stepping-Forward(1988) and Going to War at the Dawn(1989) are interesting to catch the periodical situation calmly. "The revolutionary laborer" showing in Bang"s novels is set up as the laborer overcoming the everyday difficulties and the hardship of the organization and growing up. However, Bang doesn"t depict their future hopefully.<BR> This narration of suffering is closely connected with the sub-consciousness of the writer who took part in a labor movement as a student activist. The effect of the irony has come into existence between the tragic understanding about the world and the growing labor-understanding. In The First Stepping-Forward the laborers who turned away a labor movement because of Jungsik"s anger become part of struggle together. However, the romantic prospect that the struggle will become a victory is under the shadows of night. In Going to War at the Dawn 65 of female laborers leave to somewhere to struggle. The tragic beauty that their struggle could get joined on another breakdown flows in the whole text. In other words, we can say that the class-struggle which has been continuing since 80"s can not be accomplished only with romantic anticipation.<BR> "Labor" is all of the human activities and an important constituent of life. Today is the age that socialistic prospect or aesthetics have been sinking. Though, it seems that "labor novels" will last. It is because human everyday life is just labor activity or its outcome. The labor novels in 80"s record the history of suffering of laborers. If "labor novels" in 1980"s are linked with the "finding-hope" in darkness, the labor novels in the future will reflect on how human everyday activities and labors are linked. Through this, I can anticipate that we could find a new pathway that "everyday life/labor/politics" to take a triangular position literarily.
1. 머리말<BR>2. 1980년대 노동소설의 맥락화<BR>3. 혁명적 낭만주의와 비극적 세계관의 교차<BR>4. 맺음말<BR>참고문헌<BR>Abstract<BR>
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