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침묵과 흉내내기: 워튼의 유령이야기에 나타난 여성언어의 억압

Silence and Mimicry: Repressed Female Language in Wharton"s Ghost Stories

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&nbsp;&nbsp;Ghosts, Wharton&quot;s final collection of short fiction, establishes her as a key figure in the tradition of American Gothic stories succeeding Hawthorne, Poe, and James. Wharton uses the old ghost story genre in a new way as a device of exploring the &quot;woman question.&quot; The Gothic becomes the ideal vehicle for Wharton&quot;s perception, that hidden within social structures, are ugly secrets. For her, "the Gothic spirit is the utterance of the unutterable."<BR>&nbsp;&nbsp;Among Wharton&quot;s Ghost stories, "The Lady&quot;s Maid&quot;s Bell,""The House of the Dead Hand," "Kerfol," and "Mr. Jones" deal with women who are raped through language and silenced by a cruel husband or father. To ensure male supremacy, Wharton suggests, language must be kept out of the hands of women. Thus, women&quot;s language in patriarchy is oppressed by a form of silence or mimicry without their own language. However, Wharton&quot;s women such as Anne de Corneau, Juliana, Mrs. Brymton, and Cybilla revolt against the oppression executed by male power.<BR>&nbsp;&nbsp;Wharton&quot;s novels in general show that for women in a patriarchal society the real struggle is between a dependent and an independent self. In her Ghost stories, she portrays the desire of a woman persuing her independent self. To obtain an independent self, a woman&quot;s own language is essential. Wharton criticizes patriarchy which confines a woman&quot;s own language.

Ⅰ. 미국의 고딕소설 전통과 워튼<BR>Ⅱ. 침묵의 언어:「귀부인의 하녀의 벨」<BR>Ⅲ. 남성언어 흉내내기:「죽은 손의 집」<BR>Ⅳ. 여성 자신의 언어:「커폴」<BR>Ⅴ. 여성언어의 해방을 위하여:「존스씨」<BR>Ⅵ. 결론<BR>인용문헌<BR>Abstract<BR>

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