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조선족 극작가 리광수의 희곡에 나타난 작가 의식과 공연 기법 연구

A Study about the Author"s Awareness and Play Technique of Lee Guang Su"s Play, the Playwriter of Yanbian

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&nbsp;&nbsp;Lee guang su&quot;s play is included in the genre of melodrama. But there are many differences in the typical melodrama&quot;s composition.<BR>&nbsp;&nbsp;There are critical senses of the reality and artistic answer in his plays.<BR>&nbsp;&nbsp;Lee guang su&quot;s play treat the social problem, social stratum trouble and try to find a solution with the view of city-country&quot;s people.<BR>&nbsp;&nbsp;Lee guang su&quot;s play also show us new outlook on marriage, under the influence of changing traditional sexual idea. Structurally, Lee guang su&quot;s play have the interesting same type structure. He inserted dance, music into the play. And the words are very colorful to attract audience&quot;s attention.<BR>&nbsp;&nbsp;On this account, Lee guang su&quot;s play have it both ways, popularity and thesense of the times. Specially, the good point of his play is not boring to show social problem. To conclude, Lee guang su&quot;s play develop the popularity play that have critical senses of the reality.

Ⅰ. 서: 연변지역 희곡 연구와 그 문제점<BR>Ⅱ. 리광수의 현실 인식과 그 대안<BR>Ⅲ. 리광수 희곡에 나타난 공연 기법의 변모 양상과 그 의미<BR>Ⅳ. 리광수 극작술의 의의와 한계<BR>Ⅴ. 결: 대중극으로서의 리광수의 작품 세계<BR>참고문헌<BR>〈Abstract〉<BR>

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