〈바리데기〉 무가의 신화비평적 연구 - 자기실현의 과정을 중심으로
A Study of Mythical Criticism on the Mudang Song of Baridegi
- 한국언어문학회
- 한국언어문학
- 韓國言語文學 第58輯
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2006.09179 - 202 (24 pages)
- 1,766
An Approach to mythical criticism on the Mudang song of Baridegi sung in order to lead the spirit of a dead person to the world beyond in Saryeongjeui is as follows.<BR> Considering the dream of forthcoming conception, her birth and her process to be a hermit, we found that Baridegi began to search self-investigation as a woman who has the lineage of pure blood and a heroic disposition. Her undergoing different trials after birth, and her wandering separated from realities can be showed as the course of her self-investigation to seek after intrinsical spiritual self as a potential whole. So her hard ordeal and suffering experienced on the way to find Yagsu(medicinal water) can be explained as the course of the emancipation of self transformed into a great figure to gain superman ability and resurrection by meeting a hermit in the surrealistic space. After marriage, she at last brought her parents into life with yagsu and took office as a goddess of Mudang. It is also accounted for the course of self-fulfillment through getting over a barrier, achieving her aim and being in accord with others. Her way to get yagsu is symbolized as a long tunnel of death. Her long journey to death made her realize that she could come to the existential self-consciousness after doing away with herself. So we can conclude that Baridegi discovered afresh herself as a result of the experience of hard trials and suffering and at last got the perfection of self because of choosing death.
Ⅰ. 서론<BR>Ⅱ. 본론<BR>Ⅲ. 구성원리<BR>Ⅳ. 결론<BR>〈참고문헌〉<BR>[Abstract]<BR>저자소개<BR>
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