연극〈暗戀桃花源〉을 통해 본 《桃花源記》 패러디 양상

The Aspects of Parady of 《T’aohuayanji》 in 《Hidden love and T’aohuayan》

&nbsp;&nbsp;《Hidden love and T&quot;aohuayan》 is a theatrical performance, it is a parody of the Chinese classical piece 《T&quot;aohuayanji》. This work is considered to be the most representative Contemporary play of Lai Sheng Chun(賴聲川) who is a well -known Taiwanese director.<BR>&nbsp;&nbsp;Through this work, we can see that a parody of the Chinese classical pieces can be used to practice the technique of creating contemp. art.<BR>&nbsp;&nbsp;Reinterpretation about classical pieces can ensure the vitality of recreating only when an abjective condition is satisfied, that it is akind of freedom, being able to use the modern thinking faculties and a material foundation on the whole.<BR>&nbsp;&nbsp;Through a critical analyzation of Wulingt&quot;aoyuan(The peach blossom land in Wuling; 武陵桃源) and 《T&quot;aohuayanji; 桃花源記》 (《A record of the peach blossom land》 which are regarded as Oriental Utopia, I tried to look into anti-intellect influenced by the Chinese traditional thinking.