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학술저널

손창섭 소설에 나타난 자기파괴와 구원의 의미

A Study of Son Chang-seob"s Literature

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&nbsp;&nbsp;「The God&quot;s light literature」is a written confession as the challenge for the God.<BR>&nbsp;&nbsp;In this point, Son Chang-seob&quot;s literature was the gesture to relief before it was literature. Now, summarizing contents of this study, it is as follows.<BR>&nbsp;&nbsp;First, Son Chang-seob&quot;s self-torture originates to the primal scene. 「The God&quot;s light literature」is a sadomasochistic self-confession, and this means that when confessing openheartedly, one can reach in perfect catharsis of his own psyche.<BR>&nbsp;&nbsp;Second, the demolition and sexual violence that「God&quot;s light literature」has are the result of 〈desire which is wanted to love from God〉the reaction formation.<BR>&nbsp;&nbsp;Third, it attributes to the God, who created entirely, that self-image of the God&quot;s creature is the deformity and the deficient standard. On the other hand, sadomasochistic self has originates in the ambivalent emotion of〈the God who can not forgive〉and〈the desire which one wants to be loved from God&gt;.<BR>&nbsp;&nbsp;Fourth, the self-resistance against the God who the writer wrote shows two phenomena called〈the nocturnal enuresis〉and〈the sexual violence〉.<BR>&nbsp;&nbsp;〈The nocturnal enuresis〉and〈the sexual violence〉are the elimination action for the human being, and〈the physical violence〉is the elimination action for the world.<BR>&nbsp;&nbsp;Fifth,〈Room〉and〈Home〉are the symbolic space of womb return, and 〈rain〉means 〈the uncomfortable womb〉which leaks, and this symbolizes the regressive paradise.<BR>&nbsp;&nbsp;Sixth, the way of relief is displayed paradoxically through 〈Judah complex〉that is only the human being who serves to the God.<BR>&nbsp;&nbsp;Seventh, Jizcho is the symbol of the great mother as the woman of relief.

Ⅰ. 서론<BR>Ⅱ.「신의 희작」: 사도마조히즘적 자기파괴의 형식<BR>Ⅲ.〈성〉과〈야뇨〉:〈배설〉의 두 가지 양상<BR>Ⅳ.〈방〉〈집〉〈비〉 : 원형적 퇴행 공간<BR>Ⅴ.〈지즈코〉: 삶의 발견과 구원의 여성<BR>Ⅵ. 결론<BR>참고문헌<BR>〈Abstract〉<BR>

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