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A Consideration on Author"s Writing aspect by Modern Acculturation of On-dal tale

&nbsp;&nbsp;‘A tale’ is the longest concept and form of story. The story which has the letters and take the literary form among these stories, calls &quot;the tale literature&quot;. The tale literature text didn&quot;t implement its value as the work of art. However, it has the clear value because it germinated an author&quot;s creative cognition. From such the aspect, the literature created by modifying the tale literature can be the text which clearly exposes the author&quot;s creative will and writing.<BR>&nbsp;&nbsp;This study was focused on ‘On-dal tale’. The first tale literature which acculturated it is the Biographies in the “Samguk-sagi(三國史記)”. This book was published based on the Confucian value, expecially ‘Loyalty’.<BR>&nbsp;&nbsp;However, modern literature writers approached the tale from the different viewpoint. Their three aspects can be summarized as follows.<BR>&nbsp;&nbsp;Firstly, the writers get disillusioned at politics and tend to express it through fatalism. The poem of Do, Jong-hwan “On-dal” and the play of Choi, In-hun “Where is the place that we will again meet in being something?” are included in this aspect. On-dal in these works became a general but was not interested in a social success. But, he always leads the van. It is because he believes that it is his fate.<BR>&nbsp;&nbsp;Secondly, They tend to recognize the problem of reality through consciousness on femininity. The poem of Park, Ra-Yun “Princess Pyeonggang living in Seoul” and the novel of Kim, Ji-wun “Princess Pyungang and Idiot Eundal Story” are included in this aspect. These works had the female character &quot;Princess&quot;. They cognize their femininity and express their emotion and desire clearly. Because of it, they have conflicts with real situation as well as a patriarchal system.<BR>&nbsp;&nbsp;Thirdly, the character recognizes the self-identify and finds out the new way of life through it. juvenile story of Lee, Hun-Ju “Idiot On-dal” and Musical of theatrical company Kan-da “Mirror Princess Pyeonggang Story” are included in it. These works contain characters who deliver the tale to readers, and mainly describe the process that these characters search their self-identity.<BR>&nbsp;&nbsp;Thus, in the modern literature, the acculturation of the tale literature does not accept the original text, but also show the modification of various forms according to the writer&quot;s creative cognition. Such the acculturation is connected to the writer&quot;s writing aspect. This part indicates the reason why the process of boosting the writer&quot;s perception on reality and history is necessary in the writing education.