Most characteristics appearing in "psychological" novels in the 1930s, were intellectuals. They suffered from pathological factors such as a sense of anxiety, frustration, despair, helplessness, dejection and loneliness.<BR> Furthermore, they went so far as to be attacked by schizophrenia, regression, deterioration and pain of survival. Appearing in the works by Choi Myung-ik and Choi Seo-hae, unhappy intellectuals with inability in surviving show their pathological factors by making their repetitive grotesque statements.<BR> Frustration, deterioration and nervous breakdowns were portrayed as extremely subjective "categories of idea" in a novel text. Poems by Lee-Sang Poet demonstrated a complex of linguistic experimentalism, fragment, and Montet -style elements. Jung Ji-yong Poet began to accept ego and sentimental world called "modernistic individual", and "inner reality" under the influence of Japanese Modernism, when he studied in Japan, revealing what"s called "psychologism" as to "coerced modernism" in the reality of the Joson Dynasty. Through 〈Cafe Franz〉, one of his works, he already suggested schizophrenic anxiety in a modernized place of cafe. Jung Poet showed in his poems that he had got his abnormal psychology, namely, "nervous breakdowns" or "neurosis" as a young intellectual, who faced the distortional, colonized and modernized society.<BR> Jung Ji-yong Poet tried to put in linguistic expression of "intellectual neurotic response", the discourse of his neurosis, one of pathological symptoms that modem intellectuals had at that time. He described poetic phrase and metaphor in his poems, based on the contemporary discourse of neurosis. In his poems, neurotic symptoms can be mentioned as schizophrenia of modernistic ego and at the same time, poetic strategy and demonstration as a way of poetic creation reflecting the situations of those time. Seeing Jung"s poems, poetic metaphor styles as to "neurosis" were symbolized as "blood-like red images", "seizure", "dizziness", "modernized machines" and "medium", showing his pathological and abnormal psychology in the colonized and modernized era. Images such as "clock" and "window" were associated with the modernized machines and physical medium, and at the same time, symbolic metaphor of colonized rules and power. In other words, the poet was faced with dizziness and seizure connected with disenchantment and disgust for the modernized era, by means of clock, window and symptoms.
Ⅰ. 일제하 근대자본/신체/신경증<BR>Ⅱ. 신경증의 유행과 지용 시의 불안 상징<BR>Ⅲ. 근대의 ‘시간-시계’, 불안과 공포<BR>Ⅳ. 근대 지식으로서의 의학과 질병의 심미성<BR>Ⅴ. 결론<BR>참고문헌<BR>〈Abstract〉<BR>
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