This research analyzed about relation of Lim, hwa and Chong-no. The result is as following.<BR> Late 1920s Chong-no, national liberation sports sprang up strongly under socialist"s leading. "Sunee of crossroads" is materializing well these point.<BR> In the 1930s, Chong-no undergoes a change to colony capitalistic place. evolutionary passion of young mans disappears in Chong-no. Instead, crowds which lose soul to sight culture that do spectacle in Chong-no overflow. "In crossroads again" is materializing well these point.<BR> Lim, hwa should recover passion of revolution after release. And Lim, hwa should start newly as socialist in Chong-no. However, need to see past action Doedolikyeo to cope properly at real. Because of this point, Lim, hwa was hesitating without jumping to Chong-no crossroads in "September 15".<BR> In Lim, hwa"s work, Chong-no was place that elicit his actuality awareness or practice. According to change of age, Chong-no"s appearance changed. Accordingly, Lim, hwa"s attitude changed. But, viewpoint as socialist was kept consecutively within such transfiguration. So this research analyzed how Chong-no materialized in Lim, hwa"s work. Through this, this research cleared transfiguration and consecutiveness of Lim, hwa"s phenomenon concretely. This is sense of this research.
Ⅰ. 서론<BR>Ⅱ. 1920년대 후반의 종로, 민족해방운동의 중심 장소<BR>Ⅲ. 1930년대 중반의 종로, 이식 자본주의 소비문화의 장소<BR>Ⅳ. 해방기의 종로, 머뭇거림과 용기의 장소<BR>Ⅴ. 결론<BR>참고문헌<BR>〈Abstract〉<BR>
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