白居易를 중심으로 살펴 본 中ㆍ日詩歌論 比較

A comparative poetics of China & Japan focused on Bai-Juyi(白居易)

  본 논문은 白居易문학을 중심으로 日本詩歌에 끼친 영향을 살펴보고자 하는 것이 골자이다. 이를 위하여 詩歌의 본질을 규명하고자 노래의 3요소인 心ㆍ詞ㆍ姿를 효용론적 개념과 예술론적 개념으로 나누어 파악하기 위하여 白居易와 中, 日의 대표적인 歌人이라 할 수 있는 스가와라노 미치자네(菅原道眞)와 후지와라노 테이카(藤原定家)를 각각 대비, 고찰하였다.

  To begin with, I tried to make comparative study of poetics of China & Japan. Generally there ate the 3 elements of poem like Kokoro(心), Kotoba(詞) and Sugata(姿). According to systematic combination of those elements, the poem will be written as a work perfectly. As a poet and critic, Fujiwara no Teika(藤原定家) composed works almost exclusively in the waka(和歌), the dominant lyrical form of the Japanese classical period. He emphasized that all the poems should express its sense of emotional detachment, evocative Y？en(妖艶) ("ethereal beauty") style, and authoritative conviction Ushin(有心), is considered among the most influential in the Japanese poems. Admired for his originality in the composition of practical and theoretical works from Chinese Poetics particularly by Bai-Juyi(白居易). So, what can I find out Teika"s poetic anthologies and theoretical works? Therefore what is the principal of the real poem to have to write. Teika, Michizane(道眞) and Bai-Juyi(白居易)"s aesthetic theories through representative works of classical Japanese poems.