크리스챤 디올 패션쇼에 나타난 가부키 메이크업 이미지 표현에 관한 연구

A Study on the Image Expression of Kabuki Makeup Shown in Christian Dior Fashion Show

&nbsp;&nbsp;In current fashion shows, orientalism has been established as a theme and as its make-up is represented in various styles, it becomes an artistic style as a contemporary trend.<BR>&nbsp;&nbsp;In particular, in the 21th century, orientalism in fashion show has various changes and among them, Kabuki make-up derived from Japan has been highlighted as a unique image with strong and artistic nature.<BR>&nbsp;&nbsp;This study is to identify that Kabuki make-up is involved in Deconstruction Theory developed by Jacques Derrida and make-up and design ideas of deconstruction. This study categorizes Kabuki make-up into ‘representative image’, ‘eclectic image’, ‘parodic image’, and ‘grotesque image’, focusing on the Christian Dior Fashion Shows since 2000s, and analyses it by being based on ‘nature’, ‘inter-textuality’, ‘uncertainty’ and ‘de-phenomenon’ from the Deconstruction Theory by Derrida. Kabuki make-up in Christian Dior Fashion Shows is closely related to the deconstruction theory, and it is very innovative and liberal. Instead of pursuing a single style, as it is applied for various fields and changes according to conditions, it is suggested that it can be understood in many different perspectives.