2000년대 전반기 패션 컬렉션에 나타난 메이크업 특성에 관한 연구

A Study on the Characteristics of Make-up Revealed in Fashion Collections in Early 2000s

&nbsp;&nbsp;This study examines the trend of make-up with a focus on Paris, Milano, New York, and London Collections abroad and SFAA Collection and Seoul Collection at home from 2000 to 2005, and analytically compares the features found in the collections. For this, fashion-related magazines, books, theses, journals, and websites are utilized and photo materials the author worked on at domestic collections are included.<BR>&nbsp;&nbsp;First, the trends include naturalism, ethnicism, reactionism, futurism, and deconstructionism, featuring as follows: Naturalism was found in bare nude, radiant, and tanning makeups; ethnicism was found in makeups applied with Chinese Jing Ju (京劇), ones applied with Japanese Geisha or Gabukki, Bollywood&quot;s makeups from India, and primitive makeups from Africa; reactionism was found in black-white makeups in 1920-30s, hippie makeups in 1960s, glam rock makeups in 1970s, and glamor makeups in 1980s; futurism was found in cyber makeups, modern makeups, and surrealism makeups; and deconstructionism was found in humorous makeups and decadence makeups.<BR>&nbsp;&nbsp;Second, the characteristics of make-up found in the fashion collections are compared as follows: Naturalism from overseas collections expresses mono-tone&quot;s bare nude makeup featuring transparent and healthy image, while that from domestic collections expresses pastel-tone&quot;s radiant makeup featuring romantic image. Ethnicism from overseas collections carries strong and experimental elements by applying mask, while that from domestic collections features simplicity by expressing black, white and red color on parts of the face. Reactionism from overseas featuresexpression to change past images, while that from domestic revives past images. Futurism from overseas expresses makeups with creative and queer design through surrealism, while that from domestic is characterized by achromatic and modern makeup, and such makeup with geometrical patterns. Deconstructionism from overseas expresses unsightly and mean image with the bold use of original colors and symbolic makeups from punk group, while that from domestic shows makeups featuring morbid atmosphere with white or black color.<BR>&nbsp;&nbsp;On the whole, overseas collections feature boldness, creativeness, experimentalism, and informality, while domestic collections feature simple makeups that are mild without not too being magniloquent.