Among the heroine novels, Gimhuigyeongjeon, Bujangyangmunrok, and Yukmidanggi share a strong similarity that all of them are characterized by unique love stories of women disguised in men. And of the three novels, Gimhuigyeongjeon and Yukmidanggi hold a common characteristic in the organizational details comprising of the love stories of women in men; thus, it is undoubtedly acceptable that the two works have some direct influential relationship.<BR> The love stories of women in men owe their origin to the novels of wits and beauties in the period of Ching including Okgyori or Chunryuaeng. Various love stories of women in men have been used constantly in domestic novels as well since they were modified in Honghwabaekjeon or Changseongamuirok.<BR> Particularly, Gimhuigyeongjeon and Yukmidanggi have a strong similarity on the point that both describe precisely with independent narration and the process of the "woman and woman"s betrothal"s completion to the "man and woman"s betrothal". From that, this article drew deduction that the "love story of Baek, Un-yeong and Seol, Seo-ran" described in Yukmidanggi was created by modifying the "love story of lang, Seol-bing and Yi, So-jeo" in the latter part of Gimhuigyeongjeon.
Ⅰ. 서론<BR>Ⅱ. 남장결연담의 연원과 변용양상<BR>Ⅲ. 〈김희경전〉과 〈육미당기〉의 남장결연담<BR>Ⅳ. 소설사적 맥락에서 본 〈김희경전〉의 위상<BR>Ⅴ. 결론<BR>참고문헌<BR>〈Abstract〉<BR>
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