2001년 프레타 포르테 컬렉션에 나타난 화장표현기법
Make-up Techniques shown in Pret-a-porte Collections in 2001
- 한국인체미용예술학회
- 한국인체미용예술학회지
- 한국인체예술학회지 제3권 제2호
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2002.08115 - 129 (15 pages)
- 42
This study has tried to find out how make-ups used in the world"s top three Pr&ecirc;t-&Agrave;-Porter Collections in 2001 reflect the intentions of works.<BR> Each collection of the three had its distinctive make-up techniques.<BR> In the Paris Collection, make-ups alone even told us a work"s uniqueness to a degree. The united, not separated, clothing and make-up showed the designer"s intention of a work. Colorful and versatile material used make-ups highlight the characteristics of the experimental Paris Collection.<BR> The Milanese Collection didn"t make radical changes in cosmetic techniques. Only one or two techniques were added to the previous ones to accentuate the designer"s intention. Particularly the change to the eyeliner usage made the make-up challenging but the makeover itself was not so colorful.<BR> In the New York Collection, make-ups in general were natural and unified with a nude technique. Some make-ups used a very simple technique to highlight eyes only. Make-ups in the New York collection focused more on the clothing characteristic of moderation and simplicity than the designer"s style.<BR> Now we can know that the main purpose of make-up techniques in collections is to express the designer"s intention on works unlike general make-ups whose main purpose is to make a person look better. For this purpose, different make-up techniques were used in accordance with the characteristics of each collection.<BR> Make-up not only assists clothing. It has evolved to let us know a work"s tendency and even the designer"s intention. It will also highlight the clothing presentation far better.<BR> To that end, a growing number of experimental make-ups are introduced in the world"s leading collections, which is expected to make a great contribution to the make-up development as well.
ABSTRACT<BR>Ⅰ. 서론<BR>Ⅱ. 2001년 트렌드 경향<BR>Ⅲ. 프레타 포르테 컬렉션에 나타난 화장표현기법<BR>Ⅳ. 컬렉션별 화장표현의 비교분석<BR>Ⅴ. 결론<BR>참고 문헌<BR>
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