〈청산별곡〉 3연의 새와 학무
〈Cheong San Byeol Gog〉 Bird and Crane Dance of 3 stanza
- 한국언어문학회
- 한국언어문학
- 韓國言語文學 第66輯
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2008.0987 - 110 (24 pages)
- 413
The parts to be difficult to catch the meaning in 〈Cheong San Byeol Gog〉 are the stanza 3 and 7. There have been a lot of arguments about ‘deer’ of the stanza 7. As a result, The opinion that ‘deer’ is an actor disguised as a deer is supported very much, because this opinion interprets ‘deer’ by the realistic context. Japhi performed at that time was based on.<BR> To analyze the stanza 3 in the same way is this paper. Two views to consider ‘sae’ to be sae/bird or sarae/plow has been suggested until now. But this paper suggested to consider ‘sae’ to be the actor disguised as a bird. This is the result to catch in the realistic context. I based this on the crane dance performed at that time.<BR> The stanza 3 presupposes the stage that the crane dance is played. By this view, this following fact can be. ① mul of ‘mularae/under water’ means a property, a board ‘Jee Dang Pan’. ② ‘Jangulan’ means Jamgae/an weapon or ‘Jangue’ means a drum(Jang Go). ③ the poetic speaker is looking at the stage. ④ The crane is going over the ‘Jee Dang Pan’n on the stage.<BR> The words of literary works has to be examined in the realistic context. A metaphor or symbolizing is a next step. This paper suggests a new point of view about 〈Cheong San Byeol Gog〉. This is meaningful in such a point.
1. 서론<BR>2. 3연의 새에 대한 이해<BR>3. 3연과 학무(鶴舞)의 관련<BR>4. 결론<BR>〈참고문헌〉<BR>〈Abstract〉<BR>
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