Up until now, the studies about pavilions which are located between hills and streams have been progressed that the scholar of literature have been studying Chinese poetry of pavilions and the architect have been taking in charge of the architecture of pavilions. But, in the age of the fusion of genre related to the communication, this paper was written within the premise of the Chinese poems which were recited and composed in the place of pavilions could be associated with the pavilions as architecture. Then, between literature and architecture, the educational system will be interchanged. To develop the assumption, this paper was focused on the Limgeosipohyeong(林居十五詠) of Heuijae Lee Ueonjeok and Dokrakdang(獨樂堂) KyeJeong(溪亭) which was the stage of it. And, pavilions architectures have been considered as significant subject matters in the Chinese poetry. So by looking into what the constructor of a pavilion wanted to tell in it, and which space the writer's sight headed for and then how the Chinese poem was expressed, this paper showed another value and utility of the Chinese poetry by appreciating pavilions. Actually, Dokrakdang is the place where rusticated Heuijae strolled and enjoyed by himself and his academic pursuit and the goal of life was well brought out in the poem of Limgeosipohyeong. 'Dokrakdang', 'Yeokrakjae'(亦樂齋), ‘Ryangjinarm'(養眞菴),’IhnjiHeon'(仁智軒), that Heuijae was named his book's title, were the ideal place of Heuijae. And there, he contemplated nature and learned the principle of the life. He wrote the poem Limgeosipohyeong by rambling about the circumstances of Dokrakdang and the arbor. And it has the constant current and expressed well about his literary scent and the world of moral, Especially, these poems represent that how Heuijae understood the place of the arbor. In conclusion, poetry and pross was an important data of analysis to understand the scene of pavilions broadly. So if the person who surveys the field tries to associate with them, he can examine the purpose and the meaning of the pavilions more carefully and more deeply. Because he could retrace and feel the construction's of the pavilion.
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