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학술저널

재일조선인 문학비평의 민족문학적 의미

The Meaning of National Literature in Japanese-Korean Literary Criticism

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'Jo-Chong-Ryun'(조총련) literary criticism follows primarily the literary policy of North Korea. The idea that 'native country is a great Suryung(수령), Suryung is the very native country.' is the basis to 'Jo-Chong-Ryeon' literary criticism, and the teaching of Kim, Il-Sung(김일성) determines the orientation of 'Jo-Chong-Ryun'(조총련) literary criticism. Japanese-korean literary criticism is a part of Korean literature, and that is the very national literature which uses korean language and formulates man as the subject to the history. So-called the 'subject realism'(주체사실주의) that is based on the subject idea of Kim-Il-Sung is the only idea that Japanese-korean literature must pursue. But as a tool, the language is not the element that determines the national identity in national literature. At this point, 'Jo-Chong-Ryun' writers reveal strongly the crisis of a korean language. Finally, language is a touchstone that certifies the national identity in a national literature.

1. 머리말

2. 광복 후 재일조선인 문학의 전개 양상

3. 조총련 문학비평의 원점, 김일성 주체사상

4. 이중 언어의 질곡, 조선어에 대한 인식

5. 결어, 조총련 문학비평의 민족문학적 위치

참고문헌

Abstract

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