학술저널
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Moral gravity and ludic energy lie close but uneasily together in the medieval animal fable. These elements are particularly active in Robert Henryson's Morall Fabilis; even as he presents his traditionally didactic tales, Henryson explores the tensions and potentials of this mix. This paper focuses upon Henryson's fifth fable, "The Trial of the Fox"-and explores how that trial (and its animal participants) rewrites the fable form.
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