M. Abakanowicz의 Fiber Installation 연구
A study on Fiber Installation of M. Abakanowicz - Focused on Analysis of Abakan rouge -
- 한국조형디자인학회
- 조형디자인연구
- 한국공예논총 제12집 4권
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2009.121 - 20 (20 pages)
- 95
We are sure that Avakanowicz positively assumes a position of members, which are represented the later modern fabric design. In sprite of his pervasive evaluation, we have doubt about his achievement because the preceding research is insufficient about argument such as dependence on intuitive emotion study, conventional analysis of structure and insufficient inquiry of causa efficiens. We agree that basic structure of <Abakan rouge> is dissipation. Though right and left symmetrical structure is similar, also that structure is difference structure or mixture structure. We think that the time of confusing argument of his structure is changing period for disorganization trend. The result of this study confirm the research possibility about space organization with restructure analysis and verification for examining essence structure of sample text <Abakan rouge>. The Thesis are concern that the different between paradigmatic appearances and syntagmatic, which exist <Abakan rouge>. So, we can approach the meaning of system and find dominent point about constructional relationship on the works. The meaning of dominent point is understood about sexless trend or Androgyne, which are appeared Abakanowicz forth work period. The relationship structure which is mixed both issue show that inner issue of work is located the highest position. The paper presents confusing manufacture system, which are suggested man-woman sex and mixed meaning. The other result of this study are. 1. being known as Abakan algorism, Abakanowicz has new drafting idiom from his ancient belief. 2. we need to research the body texture of Abakanowicz with the trend of restructure of body study. 3. we need argue about gender study in relative with poster modern theology related problem of sexlessness people and perfect sex-people.
I. 서 론
Ⅱ. 아바카노비치(M. Abakanowicz)의 예술세계
Ⅲ. 조형구조분석과 검증절차
Ⅳ. 결 론
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