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학술저널

“고구려 고분벽화에 나타난 금속공예의 조형적 특질”

The Molding Characteristic of Metal crafts Appeared wall Paintings in Antient tomb of Koguryo

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The culture of a country has a traditional trait and repeats harmony, hoarding, and re-creation through interchanging a culture of another countries. Modern culture shows currently plurali stic trend; not absolutely truth and beauty, but coming back diversity and variability. therefore, wall paintings in antient tomb of Koguryo was taken remarkably by keeping up with thi s trend, and it has been studying a lot inside and outside world. Koguryo grown the north area of Korean penisula and Marilu gained supremacy over northeast Asia through overcoming consiste nt conflict and war. People of Koguryo took the culture of outside world without hesitat ing by a go ahead spi rit and confidence; as result, they had a rich in original culture through re-creat ion. Kogurean with the martial spirit believed a descendant of God and immotality, and they're big interested in a world after death ; as these reasons, they left ,one of the brilliant culture, wall paintings. Contents and type of wall paintings in Koguryo are tran sfigured by the change of a sense of values and consciousness from flowing in Buddhism and Taoi sm. The fir st ch aracteri stic of Koguryo wall paintings in antient tomb and remains sho ws magnifi cen se, ambition, liveliness , a nd robu stness ; in addition, they shows rough , but un sophi stic ated and strong beauty of line. Second, the characteristic of motifs appear a lotu s pattern included a lotu s flower motifs and Ind ia- style flower motifs, and Koguryo traditional whirlpool flaming motifs. Third, the techinique of metal cra ft sh ows the c haracter istic of Koguryo a hole made technique, hitting technique, and plating technique. As a result of thi s study, Koguryo recreated traditional his culture from flowing in the culture of out side world , and big influen ced on near countries like Balhae and nowadays. The remain s of Koguryo are rarel y opportunity to meet for us but it ha s to be profound studied, uphold the great things today, and appl y on every the fine arts.

Ⅰ. 서론

Ⅱ. 고구려의 형성과 의식

Ⅲ. 고분벽화의 분포와 내용별 분류

Ⅳ. 고분벽화의 금속공예의 조형적 특질

Ⅴ. 결론

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