정읍권 시가문학의 의의와 미학

A Study on aesthetics of Jeongup Area Siga Literatre

As we know there are “Jeonupsa,” “Sunwunsanga,” “Jirisanga,”“Bangdeungsanga” except “Mudeungsnga,” a tranquil song, among 5 songs of Baikjae poetrys in Jeongub area, and Jeong Geukin’s “Sangchoongok,”a type of Gasa, “Bulwooheongok”, a good flush type, and “Bulwuheonga,”a short song, in Joseon Dynasty. The former, as the poetry songs, with continuously the theme of female’s chastity, is a faithful wife’s song waiting the lover with loving mind as the aesthetics of faithful wife. In these works there are no a bitter feeling or resentment, but only believing and following husband in Confucianism, which a woman ought to be obedient to her husband(女必從夫). The next Jeonggeukin’s work, “Bulwuheon,” is belief of lord and vassal in the background of traditional Confucianism. “Bulwuheonga” or “Bulwuheongok”is a weeping contents with the benevolence of King Sungjong to the descending government post, and as we see denotation, he was no afraid in the worldly life and sung the aesthetics of enjoyment in the evil luck with nature unifying with the one. However, we feel deep feeling on rather the abandoned post, since “Bulwuheon,”meaning no anxiety, described irritation of a house of anxiety(憂軒). We can say “Sangchungok” also is the work imbeded in projecting feature of Bulwuheon living in aesthetics of the whole body with the thing in nature departing fear and anxiety. We can also define the poetry songs in Jeongub area is Korean traditional literary type with the characteristic as a complex genre acted the assistant role in narration and artificial writing.