윌리엄 칼로스 윌리엄즈의 지역성의 시학과 존 듀이의 경험 미학
William Carlos Williams’ Poetics of Locality and John Dewey’s Aesthetics of Experience
- 한국영미문학교육학회
- 영미문학교육
- 영미문학교육 제14집 2호
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2010.12265 - 286 (22 pages)
- 234

John Dewey considered the daily experience and the aesthetic experience as continual. He thought that ‘an experience,’ completed and unified, which is formed by the daily experience after it is properly composed and controlled, is the nature of aesthetic experience and gives meanings to life. ‘An experience’ cannot be formed only with an isolated subject’s passive enjoyment as in the traditional aesthetics. As for creation and appreciation, this is the experience that obtains a unique meaning through the dynamic interaction between active action and passive action. Then the dynamic interaction means the very transaction. Williams received Dewey's aesthetics of experience and formed the poetics of locality. While Dewey collapsed the boundary of dichotomy in traditional philosophy by evolving the concept of experience from interaction to transaction, Williams found the methods to overcome divorce by deepening ‘direct contact’ to two-way‘interpenetration,’ between subject and object. This way, Williams’ poetics of locality was formed through the process of two-way ‘interpenetration’ or transaction with Dewey's aesthetics of experience. Like Dewey's concept of experience, Williams's poetics was continually and newly reconstructed through trying and undergoing, active action and passive action, and interaction principle and continuity principle.
I. 서론
II. 경험미학과 지역성의 시학
III. 교호작용의 미학과 상호침투의 시학
IV. 결론
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