<고산구곡가>식 대칭표현형 연시조들의 유형성과 개별성

The typicality and individuality of the linked Si-Jos having the pattern of the symmetrical expression in Gosangugokga

This treatise looked upon the typicality and individuality of the linked Si-Jos having the pattern of the symmetrical expression in Gosangugokga, using the method of the internal deviation and the tertiary deviation. The four typicality of the linked Si-Jos follow as; First typicality is the fact that the prefacial Si-Jo of the linked Si-Jo is exposed by the deviational expression. This typicality is realized by the individuality which is the deviation from the norm(“○曲은 어드메오...”) in Gosangugokga, the deviation from the norm(“○曲은 어드메오”) in Hwangsangugokga, the deviation from the norm('-노라') in Ouga, the deviation from the norm(하오리라') in Byeongsanlyukgok, the deviation from the norm('하-') in Pungsanpyeolgok, and the deviation('하노라') in Jeogokjeongapalgok. Second typicality is the fact that the symmetrical axis and the symmetrical expression are composited by the deviation and the norm. There are two Si-Jo which are not included to the symmetrical axis and the symmetrical expression in Jeogokjeongapalgok only. Third typicality is the fact that last Si-Jo of the linked Si-Jo have the closing devices. Those closing devices function as the supplementary devices of the lacked closing Si-Jo. Fourth typicality is the fact that one Si-Jo of the linked Si-Jo in the symmetrical axis have a meaningful position in the work's form, content, space, and emotion. This typicality is realized by the individuality that the sixth Si-Jo of the symmetrical axis have a meaningful position of the form, content, and space in Gosangugokga, and Hwangsangugokga, that the fourth Si-Jo of the symmetrical axis have a meaningful position of the form, content, and space in Ouga, that the fourth Si-Jo of the symmetrical axis have a meaningful position of the form and content in Byeongsanlyukgok and Pungsanpyeolgok. Exceptionally the sixth Si-Jo of the symmetrical axis have a meaningful position of the emotion in Jeogokjeongapalgok.