『천변풍경』에 드러난 정념의 대상으로서 ‘천변’ 연구

Aspect of Pathological Symbol ‘Cheonbyun’ in Cheonbyunpoonggyong

This study tried to investigate the aspect of pathological symbol ‘cheonbyun’ in Park Tee-won’s Novel Cheonbyunpoonggyong. Park Tee-won was member of ‘ku-in-hoi’, so as a Modernist, his Novels was studied formally modern and modernism as an expression. But through the study of this approach, limitations of the study revealed. As a Modern intellectual and artist, Park Tae-won tried co search Chosun daily life to explore the meaning of life. Bur since the late 1930’s sophistication of his fictional began to lose. At this point, the beginning of this study and paid. In the eyes of colonial intellectual, 1930’s in Chosun is regarded as a prospect does nor reality. Bur the subject of negative and positive destruction can only end in the conclusion that the betrayal. So Park Tae-won was seared inside in pathological symbol ‘cheonbyun’. In ‘cheonbyun’ the image of happiness guaranteed, embodied the oriental moral image and gathered by the artist bourgeois’s picture was reveals the paranoid see. Antinomy of mordern reason and oriental moral sense in Cheonbyunpoonggyong may be reviewed in pathologial sense of Park Tao-won.