악학궤범에 나타난 처용무 복식 고찰

A Study of Clothing for Cheo-Yong Dancing Appeared in Ak-Hak-Gue-Bum

The purpose of thesis is to make an analysis of a symbolic meaning color combination and construction for Cheo-Yong dancing as traditional royal dancing costumes shown in Ak-Hak-Gue-Bum. Cheo-Yong dancing is originated by a primitive religion effected charmanism in Shin-La period, developed as the royal dancing effected Buddhism in Go-Ryeo period. After all, Cheo-Yong dancing was in all its glory as dancing in Jo-Seon period effected Eum-Yang-Oh-Haeng thought. Cheo-Yong dancing costumes shown in Ak-Hak-Gue-Bum of Jo-Seon period was consisted of Wei(衣), Gun(裙), Sang(裳), Han-Sam(汗衫), Cyun-Wei(天衣). Kil-Kyoung(吉慶). Sa-Mo(紗帽). Dea(帶), Hye(鞋). Indeed it showed dignity of the royalty as the royal court dancing costumes from head to toe. In addition, Dan-Lyoung of Wei and Sang among every costumes from taking a style of official outfit showed a bureaucratic character. Also, Gun, Han-Sam, Cyun-Wei, Kil-Kyoung had charmanistic factors with wearing a costumes of the other sex. Moreover Man-Hwa moonyang represented that Wei, Cyun-Wei, Bang-Sl was involved in the Buddhist character. Cheo-Yong under the influence of Eum-Yang-Oh-Haeng thought was composed of Oh-Bang Cheo-Yong dancing costumes have weared clothes each other colored according to each directions like this East-West-South-North-Middle due to idea of Eum-Yang-Oh-Haeng thought royal dress for dancing and this idea also had effect on life style and Yellow clothes was placed in the middle and wore the clothes colored like this(Blue-Red-Yellow-White-Black). The Eum-Yang-Oh-Haeng thought is to make a harmony the positive and negative element in nature, symbol of all things, is in creative and disappearance and make a harmony the theory of each other very much.