속관동곡에 나타난 작가의식과 창작기법 고찰

A Study on Consciousness of the Writer and Creation Techniques in Sokgwandonggo

This study reviews consciousness of the writer and creation techniques in 'Sokgwandonggok’ by reviewing it in itself Firstly, Cho Woo-in has suggested two kinds of consciousness of a miter in 'Sokgwandonggok’; intentional concealedness and differentiation from the previous work 'Sokgwandonggok’ has teen written not during the his travel but in his later years. In other words, the miter has mitten this work by counting on his memories Although his travel in the Gwandong district was a public business instead of private trip, his relationship with the former King Kwanghaegun who assigned the public business 00 the miter has resulted in intentional concealedness, In addition, Coo Woo-in has differentiated 'Sokgwandonggok’ form the previous work by putting forward the places he has never teen These two strategies were successful and received favorable reviews from the miters of the day. Secondly, the creation techniques that Cho Woo-in has reflected his consciousness as a miter on his work are summarized into compression and specialization. He has expressed intentional cocceeledness with the compression method and specialized Naeguemgang in his work Cho Woo-in has specialized Naeguemgang composed of 'Baekcheondong Birobong, and Goorongyeon which was not mentioned by Jeong Cheol in 'Gwandongbyeolgok. For that reason, he toasts this part with a word '夸語'. This consciousness of the miter has been expressed not only in the lyrics but also in comparison with three Chinese poems he mote. The specialization of Naegeumgang is resulted from his affection for Mt. Geumgang as well as for all natural landscapes.