학술저널
커버이미지 없음
Ⅰ. Preface
Ⅱ. Percussion technique of India and Korea
Ⅲ. Three kinds of differentiations of rhythmic mode in Yongsanhoisang and Tala in Natya Sastra
Ⅳ. The comparison of Tala in Natya Sastra with the rhythm of Yongsanhoisang in Dongdaekumbo
Ⅴ. Conclusion
References
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