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학술저널

1990년대 여성소설에 나타나는 연애 모티프의 두 양상

A Study on Love motif of Shin, Kyung-sook and Eun, Hee-kyung's short stories in 1990's

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This paper attempts to analyze differences between 「The place where anorgan was」 (in 『The place where an organ was』 written by Shin, Kyung-sook) and 「Clearly immoral love」 (in 『Happy people do not look at their watch』 written by Eun, Hee-kyung). Both works have the same motif, that is to say 'love motif'(adultery) but different textures and themes. 「The place where an organ was」 is a kind of letter with the present progressive from and has a style of 'hesitation'. The narrator clears a path for nature and moves toward family community spontaneously. The rural community does a important role in this work. In 「Clearly immoral love」 the narrator looks back on the past in a firm attitude. The juxtaposition of retrospection shows a distance of narrator to multiple selves. It gets a nihilistic cynicism. The urban life influences on her attitude toward a existential solitude.

Ⅰ. 서론

Ⅱ. 가족 공동체의 희구와 수용(受容)의 미학 -신경숙의 「풍금이 있던 자리」

Ⅲ. 실존적 고독과 냉소(冷笑)의 미학 -은희경의 「명백히 부도덕한 사랑」

Ⅳ. 결론

참고문헌

Abstract

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