"죄의식과 운하임리히"에 관한 코울리지의 비전

Coleridgian Vision of "Guilt and die Unheimliche"

This article focuses on what Coleridge demonstrates in The Rime of the Ancient Mariner. It strongly evinces that what he adopts through his faith cannot be totally explained with clarity through human reason. He has a deep faith in original sin. In 1795 before he started to write The Rime, he held fast to his optimistic view of the world, not admitting any sense of guilt. Toward the end of this optimistic faith, his interest begins to shift towards the subject matter of The Rime. He elaborates upon the exploration of the depraved humanity and represents a mariner reflecting guilty humanity and affected by original sin. Depending upon the traits of the Unheimliche and his invocation to the uncanny, he reflects theological truths. Even though he includes a significant moral narrative, he never presents any evil motive of the mariner to take the life of the albatross. Not being able to expiate his crime, the mariner as his hero only restore to life his sin in his telling. To describe the uncanny of his theological faith, he unfolds the mysterious Albatross, ambiguous actions of the mariner and daemonic background images. He also creates scholarly notes to expatiate upon the mysterious forces. Consequently, he demonstrates his Christian ideology through The Rime. An immutable truth into which he hopes to converge contradictory and weird visions is guilt.