퇴계 이황의 <무이도가(武夷櫂歌)> 수용의식과 <구곡시(九曲詩)> 창작의 의미

Embrace consciousness of Toegye's <Mu-yi-do-ga> and the meaning of creation of <Gugok Poetry>

Toegye Lee hwang was Sarim in 16c, created <Gugok Poetry> with accommodate autonomously Zhuzi’s <Mu-yi-do-ga>. It has important meaning about accommodating <Mu-yi-do-ga> and creation of <Gugok Poetry> by Sarim in the Joseon Dynasty period, after Toegye’s <Gugok Poetry>. In accommodating <Mu-yi-do-ga>, Toegye not only approve Zhuzi’s original intention is Seokyung Poetry, but also acknowledge to Poetry reader should take other meaning. In this point, Toegye understood Zhuzi’s <Mu-yi-do-ga> according to Neo-Confucianism Suyangron, after then created <Gugok Poetry>. The structure of Zhuzi’s <Mu-yi-do-ga> has closed structure what is from reality to transcendence, and comeback to reality. Toegye’s <Gugok Poetry> also has equivalent structure. However he emphasized constant study about truth by suggested another world again in the last part of the Poetry. Therefor, the structure of Toegye <Gugok Poetry> is basically involve the structure of circulration of <Mu-yi-do-ga>. When Toegye creating <Gugok Poetry>, he reflected Neo-Confucianism Suyangron what he seek. Furthermore, Toegye did enormous influence many Yeongnam sarim’s <Gugok Poetry> who was following him. (Kyungpook National University)