16世紀 士大夫의 自然 認識 樣相과 時調史的 意義

Aspects of recognition about nature and historical meaning of Sadaebu Sijo(사대부 시조) in 16C이수곤(Yi Su gon)

This study is to find out aspects of recognition about nature and meaning of Sadaebu Sijo(사대부 시조) in the 16th century. There is no doubt that nature is the material of Sijo(시조) as appeared in the era of first and middle part of Chosun(조선). So this thesis arranged words through Sijo(시조)written by Lee-Hwang(李滉)ㆍKwan-Homun(權好文)ㆍLee-I(李珥)ㆍChung-Chul(鄭澈). As folloos; First, nature in Sadaebu Sijo(사대부 시조)of the 16th century has meaning as a kind of Eungugirak(隱求之樂, joy of pursuit Do(道) in Seclusion or a space that reminds politicl reality. Sadaebu(사대부) perceives and feels nature at the level of ruling man or self-training. This means that nature itself isn't a purpose, Nature isn't an object of joy but that of being idealized. It is extremely said that nature has a value as a means to an end. Secood, this aspect of recognition about nature continued throughout the 16th century. It was because Sadaebu's(사대부) fundamental position or character wasn't changed, though there were many purges of scholars in the first half of the 16th century and a faction in later part of the 16th century. By middle part of the 17th century, the position and character of Aristocrats(양반) were changed Ideality was weaken but concreteness was strengthened. In order to progress toward giving shape of this thesis, we have to compare poetical nature shown slightly in Sijo(시조) of the 16th century with nature shaped in Chunga Sijo(田家時調) formed in the 17th century.