朝鮮王朝 《鐵拐圖》와 기록 增補(1)

Supplements of New-found The Immortal Iron Crutch-Li and Records during the CHOSUN Dynasty(Ⅰ)

This paper aims to assess a change in appearance and supplements of Tie kuai-Li in the Chosun Immortal paintings. Before everything else, I try to illuminate my initial findings and artistic spirit of 4 painters; A court painter Kim husin (金厚臣) was often followed in Chinese style and he didn’t have any individuality. But he was successful in depicting the warm and comfortable master Zhong li-quan, the elegant disciple Lu Tung-pin, the hideous, hairy, deformed, and scantily clad figure of Li Tie Kuai. This point goes beyond the work of Chinese 〈Sage〉 belonging to The British Museum. 〈the Immortal Iron Crutch –Li (鐵拐圖)〉 painted by Lee zaeguan (李在寬) was first reported and modified a mistake by my investigation and research. A professional painter Lee zaeguan was also followed in a Chinese painting of the Southern school and inquired into a painting in the literary artist’s style closely. A court painter Lee hanceul (李漢喆) absolutely wasn’t known for striking and bizarre images in his works, but he used his imagination to the full in 〈the Immortal Iron Crutch -Li (鐵拐圖)〉, in spite of falling behind China and Japan’s bizarre images. By contrast upper 3 painters, a great painter Zhang seungup (張承業) was a complete failure in depicting the Immortal Iron Crutch -Li and his spirit. In conclusion, I pay attention to two painters in special; The one is that 〈the Immortal Iron Crutch -Li (鐵拐圖)〉 of Lee hanceul (李漢喆) in the 19th-century aroused much discussion, ― that is the grotesque painter Yan hui (顏輝) in the 13th-century, China and the bizarre painter Soga (曾我蕭白) in the 18th-century, Japan. Technically, his paintings upheld the Yuan dynasty’s original form in the Chosun Immortal paintings. The other is that, because of ignorance in full, Zhang seungup (張承業) belonging to the lower classes was a complete failure in depicting the Taoist eternal life and the thought of Inner-Alchemy (內丹), but we can see one aspect of society and life through the portrayal of the character in his 〈the Immortal Iron Crutch -Li (鐵拐圖)〉, ― that is “goatishness”. After all, these 4 Chosun painters have also modified the conventional styles in order to create a refreshing and unique style by each artistic spirit.