양쟝(楊絳)의 산문에 나타난 문혁 기억과 서사

Memoirs and Narrative of the Cultural Revolution in Yang Jiang’s Prose

본 논문은 양쟝(楊絳, 1911~ )의 회고 산문에 나타난 문혁 기억과 서사 문제를 고찰했 다. 양쟝은 산문 <幹校六記(1981)>와 <丙午丁未年紀事(1987)>에서 담담하게 문혁을 기억 하고 재현했다. 저자는 元神(원신)적 시선을 동원하고 메타포와 유머를 가진 서사로 문혁을 증언했다. 본 연구에서는 텍스트 속에 숨겨진 의미와 맥락을 살펴보았다. 이와 동시에 문혁 시기 ‘5 &#8901; 7 간부학교’에서 지식인의 딜레마도 규명했다. 그 결과, 양쟝의 문혁 기억 서사는 집단 기억 서사와 만남으로써 역사성을 획득하게 되었다.

This thesis was focused on Memoirs and Narrative of the Cultural Revolution in Yang Jiang’s Proses(<Six Chapters from My Life “Downunder”>and <A History of ‘Bingwu dingwei nian’>). Yang Jiang had memorized and repsented memoirs and narrative of the Cultural Revolution in a quiet tone. When she had said on the Cultural Revolution in her works, she had testified the Cultural Revolution as the narrative with metaphor and humor by using ‘Yuanshen’ point of view . At that time, the Intellctual was became the Monsters, she was also became too because of the Intellectual. This research had examined hidden meaning and context between the text. At the same time, it had investigated on recognizing the dillema of the Intellectual at “May 7th Cadre School” in the Cultural Revolution Period. As a result, Yang Jiang’s Cultural Revolution Memoir Narrative had obtained the historicity by encountering with Collective Memoir Narrative.