In a broad sense, tea paintings can be regarded as a general definition of a kind of drawing whose themes are related to tea. From this point of view, paintings that describe tea and tea-related items and events as the main content can be considered a form of tea literature and art. In the historical development of tea culture, tea paintings, as a valuable source of information about the tea culture phenomenon and a real object of study, have gradually attracted increasing attention. On the other hand, there are many deficiencies for sorting and researching tea paintings. Therefore, this paper analyzes the Ming dynasty tea space by tracing the historical footprints of Chinese tea painting history in general and of the Ming dynasty in particular. By studying Ming dynasty tea paintings, this paper analyzes its tea drinking culture, tea sets and the surrounding environment, and researches the tea spaces. By analyzing the tea space in the Ming dynasty using tea paintings, Ming dynasty Chinese tea culture, which leapt forwards in quality and quantity, can be understood. This paper examines more deeply the tea cultural exchanges among Korea, China and Japan, as well as comparative studies of historical tea spaces. Based on this study, combined with the modern Chinese background, the Chinese tea space and tea culture ideology in terms of tea space and tea culture will be studied further in the future.
서 론
본 론
결 론
(0)
(0)