조선작 최인호의 유소년 연구
A Study on ‘the children & Adolescence fictions’ of Cho, seonJag and Choi, InHo -About the focalization of the type and the meaning
- 한국언어문학회
- 한국언어문학
- 韓國言語文學 第99輯
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2016.12387 - 422 (36 pages)
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DOI : 10.21793/koreall.2016.99.387
- 183
This thesis is to study on ‘the children & Adolescence focalization“ of Cho, SeonJag& Choi, InHo’s fictions. As 1970’s prominent writers, Cho, SeonJag & Choy, Inho wrote many fictions, especially ’the warexperience fictions’ and ‘popular novels’. But, Many other 70’s writers, using ‘the children &Adolescence“ as the character of their fictions, in contrast with, they used to ‘the children & Adolescence“ as the narrator, or the focalizer in his works. The Focalization, G. Genette’s term, denote the viewer and perceiver of the narrative situation. Why did they use his younger characters as the focalization agent of their fiction? Perhaps, is it the key that diagnose their peculiar world view and creating writing intentions? In this Thesis I find out What’s a type of focalization they adopted, usually. And, what’s the meaning of ‘the Children & Adolescence focalization’ on Cho and Choi’s fictions. and the next aim of the thesis, what the genuine purpose of the fatherson’s conflict in their fictions as the warexperience authors. To begin with, I take three texts of Cho’s short fiction and novelette, <Mobumjagmoon, A model composition>, <SengByuk, A castle wall>, <Sisahoe, a preview>. In addition, in the case of Choi, I take only short fictions, <Sulggun, A drunkard boy>, <ChoeSeSulGaeLon, An introduction to the artof living>, <UhewDaeHan YooSan, An Great inheritance>. Because, Children & Adolescence are characters in the stories, and they are technical agents as the narrators in these texts.
1. 전쟁체험의 형상화
2. 유소년의 소설적 의미
3. 조선작 유소년 소설의 고정초점화 양상
4. 최인호 유소년 소설의 가변초점화 양상
5. 맺는 말
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