D. H. 황의 『옐로우 페이스』에 나타난 아시아계 여성 재현의 변화
D. H. Hwang’s Changes in Representations of Asian Women in Yellow Face
- 한국영미어문학회
- 영미어문학
- 영미어문학 제123호
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2016.12159 - 172 (14 pages)
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DOI : 10.21297/ballak.2016.123.159
- 191

This paper examines D. H. Hwang’s changes in representations of Asian women and his search for subjectivity as a minor writer in Yellow Face (2007). Face Value (1993), which was his second Broadway production, turned out to be a great failure. Hwang blames a woman for his involvement in the Yellow Face casting controversy on the production of Miss Saigon. Therefore, he represents her as a stereotype of Asian women, a femme fatale, like the Dragon Lady in Face Value. However, its failure offered the inspiration for his Obie Award-winning Yellow Face, so the play is no longer a failure. The factors that caused the success of Yellow Face were the changes in representations of women from the Dragon Lady to real women with strong subjectivities as Asian Americans; and, what is more, he appropriates their subversive power of sexual politics through becoming a minor writer.
Abstract
1. 서론
2. 『페이스 밸류』와 『옐로우 페이스』의 아시아계 여성 재현 비교
3. 결론
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