시적 교류 매개체로서의 <대시(對詩)>

“Taishi” as a Medium of Poetic Communication - The Case of Kyung-rim Shin and ShuntaroTanikawa -

韓&#22269;と日本の代表詩人である申庚林と谷川俊太&#37070;が日本の韻文ジャンルの一つである<&#23550;詩>という共同創作作業を行った。その<&#23550;詩>の分析を通じて、まず、二人の文&#23398;交流過程を考察した。相手とのコミュニケ&#12540;ションと、素材の同時代性という<&#23550;詩>の特&#24500;から、まず、詩語と素材において今まで築いてきた各自の詩世界が反映されていた。たとえば、今現在も紛&#20105;が絶えない現&#29366;から、申は<人間に&#23550;する神の無&#38306;心>を、谷川の場合、信仰は持てなくても何かに&#38972;ろうとする人間の心理を詠んでいた。また、<世越&#21495;沈&#27809;事件>の影響で、人間としての無力さと、詩人としての無能力と挫折を痛感した後、&#29344;牲者の&#37806;魂と昇華という予想外の展開をも見せていた。 次に、二人の詩人の詩世界の類似性について考察した。前世、または過去に忘れ物をしたという<原初的喪失感>を共有していた。そして、死、または「あの世」が素材である最新作では、共に現世と「あの世」を行ったり&#26469;たりする臨死&#20307;&#39443;を取り上げていた。 以上のことから、<&#23550;詩>の新たな文&#23398;交流と創作の手段としての可能性が確認できた。

A collaborative creative work on “taishi,” a type of Japanese verse, has recently been made by two representative poets in Korea and Japan, Kyung-rim Shin and ShuntaroTanikawa. The aim of the present article is twofold as follows. Firstly, we explore the process of literary communication between the two figures through the analysis of “taishi.” Based on the exchange with each other and on the contemporaneity of topics (a feature of “taishi”), we claim that the poetic work reflects each poet’s world of poems in terms of diction and topics. For instance, given the current state of the world where disputes continuously occur, Shin addresses “humans’ indifference towards the god” whereas Tanikawa addresses the humans’ reliance on something (even though they are not religious). Furthermore, the poets felt the sense of humans’ helplessness and suffered a setback as a result of the Sinking of MV Sewol, and their attempt to comfort, and sublimate, those who were involved in this incident can be read into their collaborative work. Secondly, we analyze the similarities of the poetic world of Shin and that of Tanikawa. Their worlds are paralleled in that they share “the rudimentary sense of loss,” or the feeling of having left something behind in the past or in the world of their previous existence. Moreover, their latest work, which features death or “the next world,” addresses near-death experiences in which people go back and forth between the present world and “the next world.” These observations shed light on a new possibility of “taishi” as a means of literary communication and creation.