북송 이전과 이후 臟腑圖의 심장 형태요소의 비교

Comparison of Form Factors of Heart in ZangFu Diagrams before and after Northern Song Dynasty

Purpose: This paper explores the extent to which ZangFu diagrams made after Nor thern Song Dynasty were influenced by ZangFu diagrams made before Northern Song Dynasty, and how diagram soft he whole body and heart or iginatedfrom MingTangZangFuTuand affected each other when quoted in books published after Northern Song Dynasty. Method: The author used four form factors including heart shape, internal curved lines, cylinder-like structures above heart, and wuzangxi(五臟系) which resemble salotus flower which has not yet bloomed, to analyze and compare different ZangFu diagrams before and after the Northern SongDynasty. Results: Two form factors, the shape of heart and wuzangxi, are describe dinZangFu diagrams before Northern Song, and may have influenced ZangFu diagrams after Northern Song. However, theot her two form factors (internal curved lines and cylinder-like structures above the heart) did not influence ZangFu diagrams after Northern Song. Allform factors of heart found in Wu Cang Liu Fu Zhi Tu (within the whole body) and diagram of heart in ZhenJiuJuYing(鍼灸聚英)were most similar, but the two paintings became less similaras they were cited in several books. With the exception of the form factor with structures above heart, the threeot her form factors are almost identical between two painting sproduced after Northern Song dynasty, as displayed in the same book. Conclusion:ZangFudiagramsoftheheartproducedafterNorthernSongDynasty,werenotcompletelybasedonZangFudiagrams made before Northern Song Dynasty. Diagrams of whole body and those of the heart were changed, while influencing each other after Northern Song.