포은 정몽주 한시 미학 연구

A Study on the Aesthetics of Poun Jeong Mongju

Eagle is a social and cultural one in which the moment is inherently Mr. Poun Jeong Mongju (1337 – 1392), in the artistic features and meanings, ‘artistic aesthetics’ revealed in what way the exposure was exposed. Human beings can not pursue beauty without debating art, just as beauty can not be excluded from ancient times and art can not be appreciated. Art is aesthetically formed as an aesthetic exploration of being formed in the process of change like generation and annihilation, and pay attention to it. Examining Jeong Mongju is a literate, politician, sexualist. who represents the end of the 14th century Koryo acting as a thinker, investigating art aesthetic as a poetic source, has been created and housed in numerous literary aesthetics in his work. In addition, Poun poetry literature is widely known as a traditional Korean literature as well as a classical moment, with the history of Koryo as a background, as long as it is historical penetrating his era of poetry Because it implies mental value. Many discussions on this Poun have been studied mainly on historical events and feeds of the progeny, as well as a poetic motif in various literary imaginations. So far, I have explored the formal and contental aspects of Chosun Literature from the writers on the basis of politics and ideology. Furthermore, in this article, by analyzing Poun literature aesthetically, which is a fundamental problem of art, it tries to contribute to the literary phase accompanying it. The aesthetic sense of the poet can distinguish the world view and the era of spirit from the process of verbalizing the linguistic aesthetic of the poet in terms of the fundamental art scale. Milan at the time of Poun examined by the method of research separated from the maze of natural beauty and life in macroscopic sense, when it is sublimed into art, the art maze grows. In literary classification of beauty it is mentioned as elegans, sublime, tragic, Golgemi, and in this article, in the aesthetic aspect conspicuous at the time of Poun, the first sublime and the transcendental image, the second tragic and the solitary monologue, the third It was divided into four categories, elegans and the scenic emotions, fourth Golgemi and paradoxical edification.