The war paintings painted by Japanese painters during the Sino-Japanese War, should be reconsider because there are so many aspects which were excluded in the previous argument. They can be classified to several types. For example, scene of combat in the Chinese regional characteristics, and the soldiers with the appearance from behind can be read in positive view. These aspects can t be read according to the standards came from the paintings during the Pacific war. In the sight of occupied region of China, there are various gazes in the paintings. Sino-japanese friendship is reflected in the sight where young Chinese woman and Japanese soldier appear, and some cases need gender view. The children and the aged painted as object of protect by Japaense soldiers, are to be considered as to investigate the logic of sino-japanese friendship and the Great East Asia ideology.