니시자와류에(西沢立衛) 건축의 비물질적 표현 특성

A Study on the Immateriality at the Ryue Nishizawa’s Works

As a result of examining the immaterial expression characteristics of Ryue Nishizawa’s work, the following conclusions were reached within the scope of this study. 1. In Nishizawa s work, immaterial expressions appeared in terms of material aspect, morphological aspect, and spatial aspect. In terms of material, the transparency of glass and the metaphor by white color appeared, and in the morphological aspect, the dynamic form of beyond-gravity of the scalpel appeared. Finally, in terms of space, beyond-boundary characteristics appeared in the interior space, between the interior space and the outer space, and between the outer space and the outer space around the earth. 2. The characteristics of the material aspect and the characteristics of the morphological aspect eventually play a role of the composition and background elements that form the characteristics of the spatial aspect. 3. Such immaterial expressions can be divided into three types according to the expression type. First, in the case of the same type as the one-room type, expressions that acquire beyond-bounding in the internal space due to the transparency of the glass wall appear in the material aspect. Secondly, the separated scalpel and the connection space are separated into several pieces, and the de-bounding between the inner and outer spaces appears due to the transparency of the glass wall in the other mouths that exist in the large outer wall. The third is in the form of a single individual inserted into the atmosphere of the surrounding environment, where beyond-gravity is mainly seen in the morphological aspect. Consequently, the glass wall-a functional boundary inside-disappears and the curved ceiling or floor surface based on the terrain is formed, and the beyond-borderline is found between interior spaces, between interor and exterior spaces and between exterior spaces(in the site, out of the site). 4. Immaterial expression characteristics tend to change from indirect method by material side of the component to direct method of morphological aspect of the building scalpel. 5. He has been working on landscape expression to provide the possibility of a relationship that can be held in free and diverse spaces through the above immaterial expression method and to create an architectural space in harmony with the terrain and surrounding environment.