深沢七郎文学のアイロニー構造と 戦争批判 『笛吹川』「異説太閤記」を中心に
Irony and the Critique of War in Fukazawa Shichiro’s Works On Fuefuki-gawa River and Toyotomi Hideyoshi s Heterodoxy
- 고려대학교 글로벌일본연구원
- 일본연구
- 第31輯
-
2019.0284 - 107 (24 pages)
- 이용수 14
초록
As a writer who experienced WWII, Fukazawa Shichiro (1914-1987) highlights anti-war themes in his work. This paper mainly focuses on his two novels Fuefuki-gawa River and Heterodoxy about Toyotomi Hideyoshi in order to analyze the ironic framework in which Shichiro levels sharp criticisms of war. The paper is comprised of three parts, namely an analysis of the discordancies that are internal to common folk in Shichiro s work, those between the common folk and the ruling classes, and those which are internal to the ruling class. In the Afterword to Fuefuki-gawa River, Shichiro proposes the term “backhand”, which denotes a kind of philosophical schizophrenia, as the key concept that expresses the unique outlook of the common folk in his novels. There are ironic contradictions between the expectations of the people who are at the bottom of the social hierarchy and the fate that will realistically be theirs. Despite hating the war, they can’t utterly reject it. They are involved in wars involuntarily, but they simultaneously have a deeprooted and blind belief in the ruling classes who start those wars. In contrast, the ruling classes control the people by disseminating a spirit of self-sacrifice merely in order to satisfy their lust for glory. In this sense, it can be said that in Shichiro’s work the ruling classes are depicted as deeply stupid. He portrays both those at the bottom and the ruler in a wartime context, creating a contrapositive ironic composition. Through the description of the multiple relationships between and among social classes, the complexities of human nature are conveyed objectively, while the anti-war theme is emphasized from the perspective of home and of lived reality. As individuals who are living in the midst of collective violence, including war, we must reflect on our own moral fiber, which is the important subject that Fukazawa Shichiro’s works have presented to us.
목차
Ⅰ. 序論
Ⅱ. 庶民と戦争 : その「運命の逆転」
Ⅲ. 庶民の認識にある支配者像 : 神としての「信玄公」
Ⅲ. 支配者と戦争 : 「阿ホー者」と設定される「太閤」
Ⅳ. 結び
참고문헌 (0)
등록된 참고문헌 정보가 없습니다.
해당 권호 수록 논문 (11)
- 『細雪』の中の戦争 -蒔岡家を囲む外国人との交流を通じて
- 러일전쟁기 일본육군의 대러시아 작전 계획과 사할린 점령 문제
- 범람하는 그로테스크 신체 묘사의 불온성: 에도가와 란포 『애벌레(芋虫)』의 전복된 젠더
- 脱冷戦期日本と南北朝鮮の歴史和解 推進要因に関する分析
- 深沢七郎文学のアイロニー構造と 戦争批判 『笛吹川』「異説太閤記」を中心に
- 三島文学における男性同性愛 女性登場人物の支配力をめぐって
- 한국과 일본의 싱글이코노미 특성 비교
- 전후 일본인의 ‘업루티드’(uprooted)된 정체성과 혐한(嫌韓)의 감정적 원천 오에 겐자부로(大江健三郎)의 『만엔 원년의 풋볼』(万延元年のフットボール)을 중심으로
- 일본 선진국 담론의 개념과 특징 -일본신문 사설 분석을 중심으로
- 일본 근세 지식인의 ‘풍경’ 인식 고찰 :스즈키 보쿠시(鈴木牧之)의 『호쿠에쓰셋푸(北越雪譜)』를 중심으로
- 天皇制国家の二重の裂け目 -新聞連載で心